Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851-1900 - Paperback
Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851-1900 - Paperback
by Jasmine Allen (Author)
Windows for the world explores the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. It recognises those who made and exhibited stained glass and demonstrates the long-lasting impact of the classification and modes of display at these events. A number of exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century.
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Windows for the world examines the display and reception of nineteenth-century stained glass in an international and secular context, through ten exhibitions held in Britain, France, the USA and Australia between 1851 and 1900. It is the first study to explore the global development of stained glass as showcased at and influenced by these events.
Drawing on hundreds of contemporary written and visual sources, the book recognises artists and makers, as well as those who reviewed and judged the exhibits. It provides close readings of specific exhibits in relation to stylistic developments, material and technological innovations, iconographic themes and visual ideologies. At the same time, it broadens approaches to post-medieval stained glass by examining the wider cultural, political, economic and global contexts of its production, circulation and critical reception. Each of the themed chapters highlights a different aspect of stained glass in the nineteenth century. This includes material taxonomies, modes of display, stylistic eclecticism, exhibitors' international networks, production and consumption, and nationalism and imperialism. The book challenges several methodological and historiographical assumptions and paradigms, making a substantial contribution not only to the history of stained glass, but to global nineteenth-century studies.Author Biography
Jasmine Allen is Director and Curator of The Stained Glass Museum, the only museum dedicated to the art of stained glass in the UK, which boasts a national collection of stained glass from medieval to modern. She gained her PhD from the University of York.