{"product_id":"showing-resistance-propaganda-and-modernist-exhibitions-in-britain-1933-53-hardcover","title":"Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eHarriet Atkinson\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHow did exhibitions become a vital tool for public communication in early twentieth century Britain? \u003ci\u003eShowing resistance\u003c\/i\u003e reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eDrawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eShowing resistance\u003c\/i\u003e is the first study of exhibitions as communications in mid-twentieth century Britain. \u003cp\u003e\u003c\/p\u003eAn electronic edition of this book is freely available under a Creative Commons (CC BY) licence.\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eShowing resistance \u003c\/i\u003epresents a fascinating account of how exhibitions were used for propaganda and political interventions in Britain from the interwar period to the early years of the Cold War. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eDescribed by designer Misha Black as 'the materialisation of persuasion', exhibitions mounted in public places were recognised both by activists and government bodies as a key medium for mass public communication. They provided urgent warnings against the rise of fascism, delivered practical information on how to live frugally and signalled international political alignments, beliefs and affiliations. During the Second World War they were used by the Ministry of Information as a key tool of propaganda, and in the years that followed they helped to communicate the benefits of the embryonic welfare state. \u003cp\u003e\u003c\/p\u003eThis is the first book-length analysis of the meaning and significance of exhibitions to Britain. Drawing on material from historical collections across the UK and US, it charts the work of a fascinating range of exhibition makers while addressing themes of acute contemporary relevance, such as the role of propaganda in a democracy and the cultural contribution of refugees.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eHarriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 360\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.13 x 9.61 x 6.69 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 23, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":53482162651443,"sku":"9781526157416","price":88.83,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0990\/0746\/3731\/files\/aVXR9n-F-29781526157416.webp?v=1782972927","url":"https:\/\/s3xxpj-vy.myshopify.com\/products\/showing-resistance-propaganda-and-modernist-exhibitions-in-britain-1933-53-hardcover","provider":"The Celestial Starlit Phoenix ","version":"1.0","type":"link"}