Name: Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 - Hardcover
Brand: Books by splitShops
SKU: 9781526157416
Price: 88.83 USD
Availability: InStock

Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 - Hardcover

$88.83 USD

Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 - Hardcover

$88.83 USD

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by Harriet Atkinson (Author)

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.

Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.

Showing resistance is the first study of exhibitions as communications in mid-twentieth century Britain.

An electronic edition of this book is freely available under a Creative Commons (CC BY) licence.

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Showing resistance presents a fascinating account of how exhibitions were used for propaganda and political interventions in Britain from the interwar period to the early years of the Cold War.

Described by designer Misha Black as 'the materialisation of persuasion', exhibitions mounted in public places were recognised both by activists and government bodies as a key medium for mass public communication. They provided urgent warnings against the rise of fascism, delivered practical information on how to live frugally and signalled international political alignments, beliefs and affiliations. During the Second World War they were used by the Ministry of Information as a key tool of propaganda, and in the years that followed they helped to communicate the benefits of the embryonic welfare state.

This is the first book-length analysis of the meaning and significance of exhibitions to Britain. Drawing on material from historical collections across the UK and US, it charts the work of a fascinating range of exhibition makers while addressing themes of acute contemporary relevance, such as the role of propaganda in a democracy and the cultural contribution of refugees.